Glenn Adamson

The eccentric sculptor is giving Storm King a serious makeover.

"Embodied Memories, Ancestral Histories," at the Sarasota Art Museum, is Juana Valdés's first museum solo show.

The Staten Island–based sculptor's works are on view in exhibitions at Karma in Los Angeles and San Carlo Cremona.

Since the mid-1960s, the New York artist has fought to have her work—especially her early draped paintings—appreciated in nonsexist terms.

Sculptors grounded in craft often implicitly narrate both their subject and their physical process.

The Swiss sculptor gives form to utopian narratives and makes feminist fantasy tactile.

In ceramics, sculpture, cut works, and paintings, the veteran artist transforms direct observation into spiritual impetus.

For six decades, the Syrian-born artist has brought a quiet sense of tragedy, derived from ancient art and epics, to the global contemporary art scene.

For twenty years, the free-form collective has brought color, movement, and joy to social practice.

For almost seventy years, the Colombian weaver has repeatedly pushed the parameters of her discipline, making it ever more expressive.