Of Masks and Men: James Ensor at Gladstone Gallery
Rather than face the man in the mirror, James Ensor painted grimacing masks and grinning skeletons that riled, shocked, and symbolized his viewers.
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Body Language: “Modern Art and the Remaking of Human Disposition”
A new study explores how fin-de-siècle artists used posture to convey emerging understandings of human psychology.
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