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Eleanor Heartney

Martha Wilson

“At 50,” George Orwell declared, “everyone has the face he deserves.” Plastic surgery and Botox notwithstanding, age leaves its imprint, a fact that continues to impact women in our culture more power…

David Wojnarowicz

This selection of works from 1979 to '90 by David Wojnarowicz, which included paintings, photographs, sculpture and video, was put together by P.P.O.W. co-owners Wendy Olsoff and Penny Pilkington, w

Luis Camnitzer

Though there are hints in this exhibition of the darker issues that have frequently populated Luis Camnitzer’s work—among them torture, colonialism and abuse of power—this show presents a surprising…

Leslie Thornton

On the surface, the works in this exhibition appeared to be a celebration of technology. The heart of the show involved the digital transformations of short clips of wildlife footage into kaleidosco…

Stephen G Rhodes

The press release for this exhibition consists of an annotated excerpt from a text by 18th-century philosopher Immanuel Kant. Deliberately translated poorly by the artist, the text is almost nonsens…

Luis Camnitzer

Though there are hints in this exhibition of the darker issues that have frequently populated Luis Camnitzer's work—among them torture, colonialism and abuse of power—this show presents a surprisingly…

Ilene Segalove

In droll collages and low-budget videos produced mostly in the 1970s and '80s, and recently on view at Andrea Rosen, Ilene Segalove reflects on her Beverly Hills childhood. As presented here, her ea…

Stuart Hawkins

If it sounds too good to be true, it is. This dour cliché, recited in mellifluous tones by the narrator of Stuart Hawkins's droll video Broken Welcome (2011), has become the mantra of our recent…

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