Charles Marshall Schultz

The heart of Simon Starling’s enchanting show “At Twilight (After W.B. Yeats’ Noh Reincarnation)” was a play by Starling that was not presented.

John O'Connor's hallucinatory drawings look like mandalas for the digital age. They churn and roil with vivid colors and crisp lines that web together and keep one's eye darting around.

Working within the traditional realm of portrait painting, Hope Gangloff has developed a stylized approach that favors texture and shape over light and depth.

Kate Steciw’s work investigates the shifting relationship between objects in the physical reality of everyday living and their t

Rodney McMillian has a talent for setting up uncanny relationships among undistinguished objects. Many of the 18 works shown in this exhibition, titled “Prospect Ave.,” repurpose furnishings from Mc…

Analia Saban possesses an artistic sensibility nimble enough to balance an inherent playfulness with a smart formalistic approach to her mediums.

The art of Jaime Davidovich (b. 1936) cuts two ways. Made in a Duchampian vein, it’s at once amusing and confounding, both well reasoned and rough, with an improvisational air of whimsy…

Jeff Wall’s exhibition at Marian Goodman was a continuation of the Canadian photographer’s signature approach: using staged scenarios to feign the appearance of straight documentary. His rigor in pr…

Data collection and organization is an art form at which the British conceptualist Stephen Willats excels. His solo exhibition "The Strange Attractor," the first in New York for this sexagenarian ar…

Some artists work for decades only to die (and remain) obscure. Others are active a mere few years yet manage to secure a place in posterity. Two recent exhibitions brought Christopher D'Arcangelo…